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For those born in the wake of World War II, war stories seemed the greatest fun on earth. But the pity of it is monumental and we come to take it – if not for granted – then at least as part of the fabric of minds that had met with all that was terrible in human experience and all that called out for reverence.
An Arabunna man, Uncle Kevin Buzzacott devoted himself to the protection of that delicate, glorious country of north eastern South Australia with its Great Artesian Basin’s ancient waters threatened by the succession of powerful mining companies operating Roxby’s Olympic Dam.
Considering how whistleblowers were punished for reporting the misdeeds of our warriors alongside the judicial exposure of war crimes, we've experienced something of a cultural about-face when it comes to celebrating the Anzac mythos.
The Crown, that extraordinary TV series about the British Royal Family, is drawing to a close, with the final six episodes released in the prelude to Christmas. In the meantime, the producers have shrewdly done a quartet of episodes about Diana, with Australia's Elizabeth Debicki giving a dazzling performance as ‘the People's Princess’.
Stone Yard Devotional is a chronicle of a huge problem in our time: the sense of futility in all our efforts to amend. Wood may make us think, because despair is a constant stalker of the bravest of warriors against the destruction of the planet and the chronic toll of human evil. When compassion becomes a disabling burden, who or what can help?
'Ten Pound Poms' adjusted from the harsh British winter to the austere migrant hostels of 1960s Australia. To mark the 60th anniversary of her own journey, Juliette Hughes recalls the trials and transformations, and the small moments that offered a glimmer of hope for the future.
The conservative base wants religious protection for Christians, but has a long history of vilifying Muslims, who, presumably, could also claim protection from any new law. One struggles to imagine a law that might enable a footballer's right to send homophobic tweets, while enabling courts, parliaments and schools to ban burqas.
Some have portrayed Chittister as a feminist, secular warrior in religious dress. But those familiar with her writing on social, cultural and political issues recognise that it is fed by her life as a Benedictine Sister, and particularly by her deep, lived reflection on the Rule of St Benedict.
No Friend But the Mountains deservedly won an Australian prize but was considered ineligible for others because the writer was not Australian. The book itself mocks that exclusion. Boochani's years on Manus Island branded him as Australian in the same way African slaves became American by the brand American owners burned on to them.
As with any activity that involves many people, cricket is shaped by multiple relationships. I would not expect that cricketers be able to articulate what is entailed in these relationships. But I was surprised that some dim awareness of their importance did not make the players hesitate before launching on such a daft adventure.
Who owns a cultural object? Who has the right to determine cultural values? And how can public institutions exercise cultural responsibility? It's a timely set of questions as we consider the implications of the National Gallery of Australia's return of ancient Indian sculptures, the British Museum's refusal to return Indigenous objects, or Lionel Shriver's rejection of minority cultural identities. Each of these unleashes complex, painful consequences that can undermine cultural value or cultural safety.
Just when the ringing of the words 'I stopped the boats' had finally subsided and you were getting used to the idea of business agility and economic innovation as the key battlegrounds, who should pop back up but former Prime Minister and Culture Warrior in Chief, Tony Abbott. Abbott's Margaret Thatcher memorial speech — in which the words 'a hint of Thatcher about my government' were used with apparently no irony whatsoever — was a stunning example of revisionism, hubris, and confused ideology.
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